- DRAGON SPRING PHOENIX RISE SEATS HOW TO
- DRAGON SPRING PHOENIX RISE SEATS MOVIE
- DRAGON SPRING PHOENIX RISE SEATS ISO
- DRAGON SPRING PHOENIX RISE SEATS SERIES
WCAG 2.0 contains 12 guidelines organized under 4 principles: Perceivable, Operable, Understandable, and Robust (POUR for short). This certifies it as a stable and referenceable technical standard.
DRAGON SPRING PHOENIX RISE SEATS ISO
WCAG 2.0 is also an international standard, ISO 40500. You need to add some dialogue so they can catch their breath.This website adopts the Web Content Accessibility Guidelines (WCAG 2.0) as the accessibility standard for all its related web development and services. In this show, the physicality of the performers is incredible, but after a fight they can be totally out of breath. “In an animated movie, the actor can do anything – fight and then tell a joke.
DRAGON SPRING PHOENIX RISE SEATS HOW TO
“We had to learn how to do without close-ups or blackouts no fading in and out,” Aibel told me. This is the first time they have ever written for flesh-and-blood people on stage before.
DRAGON SPRING PHOENIX RISE SEATS SERIES
Aibel and Berger, the script writers, are long-time screenwriters for animated TV series and movies they wrote all three King Fu Panda movies. I’m not sure what’s profound about “Dragon Spring Phoenix Rise” but it represents a collaboration among accomplished and popular artists from an unusually diverse array of disciplines and countries, some of whom had never worked theatrically before. But when you’re working with great artists, there’s always something profound that you leave with.” When you’re making new art, it isn’t always.
In his interview with me, Poots said: “You would like everything to be perfect. Taiwanese-born PeiJu Chien-Pott, for example, is a principal dancer with the Martha Graham Dance Company. All but one of the six principal cast members are dancers by training and profession, and each hails from a different country. They’re drawn to each other (the creepy part) and start to kiss, until their mother, the adult Little Lotus (now PeiJu Chien-Pott) crashes into the club and breaks them apart, explaining what’s what, which freaks the two teenagers out.įrom then on, it’s combat, not worth explaining other than to point out how excellent the dancing and thrilling the climax. And since they’ve been raised separately, they don’t know they’re brother and sister. In Act II, it is 18 years later, and Little Dragon (Ji Tuo) and Little Phoenix (again Jasmine Chiu) meet on their 18th birthday in the same club where their parents met, although they don’t know this. And then there’s an intermission, which brings the audience back to life. But then Lone and the power of the Dragon Spring lift the dead Little Lotus and her baby 80 feet into the air, and bring them back to life. The evil ones kill Little Lotus and her daughter Little Phoenix, and carry off Lotus’ son Little Dragon. They marry and have twins, Little Dragon and Little Phoenix. Lee has persuaded a billionaire wellness entrepreneur named Doug Pince (David Torok) to seduce Lotus. Dragon Spring apparently holds the key to longevity. If you prefer some details: In the first act, Grandmaster Lone Peak (David Patrick Kelly, a Broadway veteran) and his scrappy daughter Little Lotus (Jasmine Chiu) are betrayed by Lone’s right-hand man Lee (Dickson Mbi), who wants to take over the Dragon Spring, which Lone and his ancestors have protected for generations, through a secret sect called the guardians of the House of Dragons, with branches all over the world, including Flushing, Queens, where the play takes place. All you really need to know: It’s a fight between good and evil, over two generations, and (spoiler alert) good triumphs.
It’s best to think of the show as dance theater, and forget about the story, which doesn’t make much sense even if you can actually follow what’s going on.
DRAGON SPRING PHOENIX RISE SEATS MOVIE
In that spirit, allow me to acknowledge that, yes, “Dragon Spring Phoenix Rise” is too long, too confusing, in places tedious, in other places overwrought and even creepy its silvery and spandex costumes look like a mix of 1950s sci-fi movie and 1970s disco its songs are paltry and its underscoring persistently annoying – New Age ambient pounding that cries out “We don’t trust that you’ll find what’s going on dramatic.” HOWEVER, amid the awfulness there are a scattering of impressive moments - of visual splendor, awesome stagecraft, and exciting dance and martial arts choreography… enough of them to make me glad that I can say I saw this first theatrical spectacle in The Shed’s inaugural season.īackground: PeiJu Chien-Pott (Little Lotus), left: Ji Tuo (Little Dragon), right: Jasmine Chiu (Little Phoenix). I quote Poots in my article for TDF Stages about “Dragon Spring Phoenix Rise,” which Poots is calling a kung fu musical. Theater lovers should expect “a spirit of adventure and invention” from the shows at The Shed, according to Alex Poots, the artistic director of this new $500 million arts center on West 30 thStreet.
0 kommentar(er)
